News

  1. The MCI JH-528S and Its Surround Monitoring SectionFew consoles from the late 1970s and early 1980s addressed multichannel monitoring with the same conviction as the MCI JH-528S. Designed in a transitional era…
  2. The Trident A-Range and Its Legendary Trim PreampsTucked into the engineering folklore of recorded music, few mixing consoles inspire the same quiet reverence as the Trident A-Range. Built in the late 1960s…
  3. Harrison 4032C: The console that defined multitrack recordingWhen recording engineers talk about the desks that defined the sound of late-twentieth-century popular music, certain names come up time and again: the SSL…
  4. The Amek TAC Scorpion and Its Sweepable EQ LegacyThe Amek TAC Scorpion occupies a curious corner of professional audio history. Designed in the late 1980s by the Manchester-based firm originally known as TAC,…
  5. The SSL 6000 E-Series: The desk behind 70s superstar albumsIn the smoky back rooms of London's Townhouse Studios and the wood-panelled live rooms of Record Plant New York, a particular piece of British engineering…
  6. The Neve 8128 and the channel design that defined an eraThe Neve 8128 arrived at the end of the 1970s as Neve Electronics consolidated everything it had learned about large-format recording desks into a single,…
  7. The Tascam M320B: a compact 8-buss console for the home studioFor project studio owners weighing whether to commit to a true analog front-end or work entirely inside a DAW, the Tascam M320B has long sat in the…
  8. The Yamaha PM4000 and the rise of the YM3800 preampsYamaha's ascent through the professional console market during the late 1970s and early 1980s was anything but accidental. The Japanese manufacturer had spent…
  9. The API 2448: A console built for tracking and overdubbing togetherWhen Automated Processes Inc. returned to building large-format recording consoles in the late 2000s, the company did something quietly radical. Rather than…
  10. The Midas Heritage 1000 and the Return of Analog WorkflowFor decades, recording studios and live engineers carried an unshakeable belief: the best mixes came from analog consoles, and digital platforms could never…