Calrec PQ2050 and the case for transformer outputsThe Calrec PQ2050 belongs to the generation of large British broadcast consoles that turned microphones, tape machines and remote feeds into a coherent on-air…
Choosing a console for concert hall live captureA concert hall recording asks a mixing console to do two jobs at once: preserve the music for stereo, surround or immersive release, and provide a dependable…
The SSL 4000 G-Series EQ: the secret of British soundThe SSL 4000 G-Series arrived in the early 1980s as an evolution of Solid State Logic’s landmark 4000 E professional mixing console. Its black knob caps, white…
The Yamaha PM4000 and its Midas touring rivalryAt the end of the 1970s, the Yamaha PM4000 became a serious alternative to the Midas desks already winning over touring engineers. It was not a studio mixer or…
How Console Direct Outputs Feed Multitrack RecordingA professional mixing console is more than a place to balance faders. Its routing architecture determines how microphones, instruments and outboard processors…
The DDA AMR24 and its clean British stereo imageThe DDA AMR24 occupies an interesting place in the history of British recording consoles. It was built for practical studio work rather than showroom…